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Photography 3: Contextual Studies

My Research Folder for Contextual Studies

  • Research Folder
    • Research Folder Part 1
    • Research Folder Part 2
    • Research Folder Part 3
    • Research Folder Part 4
    • Research Folder Part 5
  • Assignments
    • Assignment 1
      • Work Leading up to Assignment 1
      • The Truth Claim of Photography in Relation to My Practice – Assignment 1 – Contextual Studies – Original
      • Tutor Report for Assignment 1 – Contextual Studies
      • Assignment 1 – Contextual Studies – Changes Marked in Red
      • Reasoning For Changes I Made to Assignment 1 – Contextual Studies
      • Assignment 1 – Contextual Studies – Final
    • Assignment 2
      • Work Leading up to Assignment 2
      • Assignment 2 – Literature Review
      • Tutor Report for Assignment 2 – Contextual Studies
      • Assignment 2 – Literature Review – Updated
    • Assignment 3
      • Work Leading up to Assignment 3
      • Assignment 3 – Contextual Studies – Plan for Extended Written Project
      • Assignment 3 – Contextual Studies – 500-1,000 Word Sample Text for Extended Written Project
      • Self-assessment for Assignment 3 – Contextual Studies
      • Tutor Report for Assignment 3 – Contextual Studies
    • Assignment 4
      • Work Leading up to Assignment 4
      • Assignment 4 – Extended Written Project First Draft
      • Self-assessment for Assignment 4 – Contextual Studies
      • Tutor Report for Assignment 4 – Contextual Studies
    • Assignment 5
      • Work Leading up to Assignment 5
      • Assignment 5 – Extended Written Project Final Draft with Abstract
      • Self-assessment for Assignment 5 – Contextual Studies
      • Tutor Report for Assignment 5 – Contextual Studies and Refinements Made
      • Assignment 5 – Extended Written Project – Final Draft – Revised
  • Researching Artists
    • Sylwia Kowalczyk – Lethe (2016)
    • Mari Mahr
    • Noémie Goudal
    • Zander Olsen
    • Ray Metzker – Pictus Interruptus
    • Jo Metson Scott and Nicola Yeoman/Bryn Davies Inspiration
    • Yan Preston – ‘Mother River’ (2010-2014)
    • Alexander Gronsky
    • Fatimah Tuggar
    • Gill Golding
    • Tom Lisboa
    • This Must Be the Place – David Campany (2010)
    • Continuum (2014) by Chris Dorley-Brown
    • Age of the Image : Series 1, Episode 1
    • David Aylward – Interventions in Deptford
    • Frank Laws
  • Books, Articles and Documentaries
    • More Notes on Vilém Flusser’s (1983) Book: Towards a Philosophy of Photography
    • Liz Wells – Land Matters – Chapter 6
    • On the Invention of Photographic Meaning (1982) – Allan Sekula
    • Research Into Deptford’s Regeneration
    • The Town of Tomorrow – 50 Years of Thamesmead
    • My Thoughts on: Repeat photography, post‐phenomenology and “being‐with” through the image (at the First World War cemeteries of Asiago, Italy) by Tania Rossetto (2018)
    • Notes on Before-and-After Photography by Jordan Bear and Kate Palmer Albers (2017)
    • Doreen Massey – Some Times of Space (2003)
    • This Must Be the Place – David Campany (2010)
    • Continuum (2014) by Chris Dorley-Brown
    • My Thoughts on ‘The property billboards that reveal the truth about Britain’s luxury housing market’ by Oliver Wainwright (2017)
    • Age of the Image : Series 1, Episode 1
    • Age of the Image: Series 1, Episode 2
    • Notes on ‘No Room to Move: Radical Art and the Regenerate City’
    • ‘Artwashing’ gentrification is a problem – but vilifying the artists involved is not the answer – Anna Francis Notes
  • Study Hangouts
    • L3 Study Hangout – 23/11/2020
    • Study Hangouts Informing Both Contextual Studies and Body of Work
      • 1st Study Hangout I Attended Informing Theory and Practice
      • 2nd Study Hangout I Attended Informing Both Theory and Practice
      • 3rd Study Hangout I Attended Informing Both Theory and Practice
      • 4th Study Hangout I Attended Informing Both Theory and Practice
  • About

Tag: Douglas Crimp

The Photographic Activity of Postmodernism – Douglas Crimp (1993)

© Cindy Sherman (1979) - Untitled Film Still #48
February 13, 2019July 29, 2020 ~ Johnathan Hall ~ 1 Comment

Postmodernism has been a slippery concept for me to grasp in the past. By reading ‘The Photographic Activity of Postmodernism’ by Douglas Crimp (1993), I aim to get a better grasp of it and to relate it back to my own work if applicable.

Previous and current blogs:

People and Place

Digital Photographic Practice

Documentary

Body of Work

Tags

Age of the Image Alexander Gronsky Allan Sekula Amendments Appropriation Artwashing Assignment 1 Assignment 2 Assignment 3 Assignment 4 Assignment 5 Change Chris Dorley-Brown Cindy Sherman Composite Culture Deptford Doreen Massey Dorothea Lange Douglas Crimp Fatimah Tuggar Georges Rousse Howells Inspiration Instagram Intervention Jess Steele John Pfahl Land Matters Lethe Lewis Hine Literature Review Liz Wells Mari Mahr Mark Power Max Lackner Meaning Meta Mind Map Mother River New Topographics Noémie Goudal Paul Strand Pedro Guimarães Photography and Reality Postmodernism Psychogeography Ray Metzker Regeneration repeat photography Rephotography Research Research Folder Part 5 Rhetoric of the Image Roland Barthes Sean O'Hagan Self-assessment Semiotics Sherrie Levine Siegfried Kracauer Smartphones Space Stephanie Kneissl Sylwia Kowalczyk Tania Rossetto Tara Darby Technology Thamesmead Tom Lisboa Tutor Report Vilém Flusser Walter Benjamin Yan Preston Zander Olsen Zygmunt Bauman
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